SESSION CHAIR: Kyle Normandin WJE
Evolving Late 20th-Century Heritage: Making the Case for Graffiti
Rosa Lowinger RLA Conservation
From Megastructure to Prosumer: A BIPV-Based Retrofit Strategy
Alexander Eberl Institute of Housing Research, Graz; Maria Bertel, Andrea Jany, Paul Schweighofer, Teresa Weber – University of Graz; Gloria Calleja-Rodríguez CEMOSA; Sophie Gledhill, Jan-Bleicke Eggers – Fraunhofer Institute for Solar Energy Systems (ISE); Ian Major Technological University of the Shannon (TUS); Werner Stutterecker University of Applied Sciences Burgenland
Tripoli Fairgrounds in Lebanon: Embracing Modernism Today
Maya Hmeidan UNESCO; Pamela Jerome Architectural Preservation Studio, DPC; Paul Gaudette WJE
Balancing Seismic Safety and Architectural Integrity
Phillip White CO Architects
SESSION CHAIR: Kuukuwa Manful Taubman College of Architecture and Urban Planning
Kinshasa’s Tropical Modernism: Climate, Identity, and Legacy
Manlio Michieletto German University in Cairo
Tropical Concrete Markets: S.I.D.E.C.'s Repeatable Construction
Genta Kokubu,Yoshiyuki Yamana – Tokyo University of Science
Kuwait’s Rethinking Climate-Resilient of Brutalist Architecture
Zainab Murtadhawi Kuwait Institute for Scientific Research; Rabab Kazem National Council for Culture, Arts & Letters, Kuwait
The Multiple Lives of the Sunflower Swimming Pools
Laurent Duport Ecole Nationale Supérieure d’Architecture de Montpellier
SESSION CHAIR: Horacio E. Torrent Schneider Pontificia Universidad Católica De Chile
Colour, Creativity, and Conservation: Sydney Opera House's Interiors
Laura Matarese Sydney Opera House
Non-Contradictory Complexity
Marta Peixoto Federal University of Rio Grande do Sul (UFRGS); Ana Tostões Instituto Superior Técnico – Universidade de Lisboa
Otilia Muras and Héctor Giraldi, Uruguayan Architectural Coupling
Soledad Cebey Universidad de la República (Udelar)
Quiet Collaborations: The Work of Stained Glass Artist Jane Marquis
Katie Horak Architectural Resources Group
John Coburn, Curtain of the Sun, Opera Theatre, Sydney Opera House. © Sydney Opera House Trust, Jacquie Manning, 2019

